Unfortunately, there's no clear jello available in Turkey, so I can't make what I originally wanted to for tomorrow's MURKA FUCK YA party. Boring ole cake instead, I guess.
Don't feel like blogging, but it has to be done. Until tomorrow!
So while it's great that the internet rallied to send Karen on vacation, and Josh and Wesley may feel genuine regret, we need to teach students—and everyone, really—to identify situations in which group behavior is veering into dangerous territory and to speak up effectively. That means changing the cultural norms and practices in a school, so that kids and adults alike learn to help each other rather than compete. It means cultivating empathy with the same zeal that we teach science and math. And it means rethinking how we educate, so that today’s lunchroom bullies don’t grow up to be boardroom bullies.
One day, by chance, I walked into Smart Parts Auto looking for a used door handle for my ’96 Corolla. What I found was an elaborate handmade cardboard arcade manned by a young boy who asked if I would like to play. I asked Caine how it worked and he told me that for $1 I could get two turns, or for $2 I could get a Fun Pass with 500 turns. I got the Fun Pass.It's spiraled since then and over $200,000 have been raised for his education (with matching funds going to creating a foundation to spur an 'imagination foundation' to inspire other kids). I love it!
Men and women who chew too much khat abandon their domestic responsibilities in favor of spending hour of hour getting mildly high.
Girls is a television program about the children of wealthy famous people and shitty music and Facebook and how hard it is to know who you are and Thought Catalog and sexually transmitted diseases and the exhaustion of ceaselessly dramatizing your own life while posing as someone who understands the fundamental emptiness and narcissism of that very self-dramatization. This is a recap of it.And another article, "Am I Rich Enough?":
Let the record reflect that the television program Girls, which is "like nothing else on TV," and which has at long last brought the previously buried perspectives of 23- to 28-year-old females to bear on mass culture, has bravely broken yet another taboo by choosing to set its season finale at a surprise wedding. Nothing has ever been like that, on TV...So what have we learned here, kids? What is the message, finally? That all television shows are stupid, and that television is not art, and to relentlessly valorize a 26-year-old show-runner with tattoos of scenes from children's books as the voice of a new generation is foolhardy and empty? That youth is callow, and navel-gazing, and small-minded? That wrapping your persona in layer after layer of defensive irony and self-deprecation does not absolve you of the responsibility to be interested in something outside of yourself? That an awareness of your flaws is not a defense?He says he doesn't hate the show. I do. Although I guess my hatred shouldn't stem from the one episode I watched. Then again, it can.
"But," you will say. "You don't get it. The show is a satire. A gentle satire, but a satire. The flaws are the point."
"And yet you celebrate her as an auteur," I will say. "The 'artist' and the character are virtually identical, and you valorize the artist for skewering the character. Besides, she's not skewering the character. These people are meant to be loved, to be understood and explained. It's a celebration, not a satire."
"Do you apply the same standard to Woody Allen?" you will say. "Is his filmic self meant to be loved or is he a comic foil? Is he the hero or the butt of the joke, or both?"
"Laurie Simmons' daughter is no Woody Allen," I will say.
"Stop calling her that," you will say. "Why do you insist on calling her that? Do you really think a feminist artist who works with dolls can call up HBO and get her daughter a gig? The TV business is rife with nepotism. Why single her out?"
"You misunderstand me," I will say. "I don't think she got a TV show because of her mother. But I think that the concerns of the wealthy private school girls ought to be dismissed as a matter of course and not be taken seriously. There are enough people who take them seriously; for largely tribal reasons I don't want to be among them. Especially if they surround themselves with their well-bred peers. I think that we should fight to rob the Laurie Simmons' daughters and David Mamet's daughters' and Brian Williams' daughters' and Drummer from Bad Company's daughters' of this world of the opportunities they have been unjustly awarded. Or at least highlight the injustice."